The most decisive act from Bendis’ run by “Daredevil” is “out” (published in “Daredevil” issue no. 32-40, drawn by Alex Maleev). Small criminal Sammy Silke (a friend of the king’s son, Richard Fisk), acts secret identity towards the FBI in a plea deal of Daredevil. The secret is then passed on to the newspaper The Daily Globe and thus all of New York.
Daredevil’s true identity is an open secret for the rest of Bendis’ Lauf. Matt continues to deny that he is hiking for legal and security reasons, but almost everyone is only human. Bendis and Maleev’s last arc, “The Murdock Papers”, ends with Kingpin offers the specific evidence of the FBI that Matt is daring in exchange with probation. The proof does not exist and never exists, but Daredevil is still arrested. This works even better for the FBI, since Matt Murdock is now locked up with Daredevil’s largest enemy.
Bendis spoke to CBR in 2006 At the end of his “Daredevil” Raufs and dealt with why he told his story as he did. On the one hand, he had the feeling that Matt Murdock “from all the Marvel heroes with his secret identity was most negligent”, so that the secret exit makes sense and could act as a comment on the culture of celebrity/paparazzi.
Bendis wanted to end his run into prison, but he only pulled the deduction because the next writer of the book, Ed Brubaker, was ready to start his “Daredevil” Run there. “This is the end that I originally hoped, but I was found that it was the most disgusting that they could do to the new writer, and I was not sure who the new writer would be when we announced that we announced Cover it. “Bendis remembered.
SpeakBrubaker said he had it Also If you come up with the idea that Matt goes to prison. Brubaker, who did not want to bring Matt’s secret identity back into his gentle plaque, thought that a detained Daredevil would build on Bendis’ run and at the same time do something new. “Really, the only thing that was changed for me Deep End, and I thought it was great that in a way we actually had a handover with a cliffhanger end,” recalled Brubaker.
So Brubaker opened “Daredevil” run with six -part history “The Devil in Cell Block D” (drawn by Michael Lark). The story shows Matt’s love who try to get him out of prison, and Iron Fist runs out in a daring bear to give the hero an alibi. In the meantime, Daredevil’s enemies are trying to kill him with the tacit consent of the FBI.
Matt is trapped in a double bond: his only remaining piece plausible denial is that (everyone accepts) There is no way that a blind man could deduct the stunts that Daredevil does. However, if Matt defends himself inside, everyone will come to the conclusion that he only lies over blindly. His reinforced senses also make the loud noises and lazy smells of Ryker’s unbearable smell.
Brubaker, a crime comic master, It is characterized when he takes the “Daredevil” staton from Bendis and writes a gravey prison drama without indulging in clichés. (In issue no. 85, when a prisoner tries, depth and claim that prison is changing men, Matt jokes: “Seems as if the prison mostly changes men in philosophers about what prison does to men.”)
Brubaker’s Run is in the shadow of his predecessor’s inheritance, but quality control is seamless. Brubaker would ultimately end his time on Daredevil with another Major Cliffhanger – In “Daredevil” #500 (back to the original numbering of the series) matt, ninja -kult to guide the hand – but that’s a story for another time.
